High End Cable
www.highendcable.co.uk
For best prices telephone Dave Jackson on 01775 761880

The blog last update 13 2009



Acoustic ART
Acoustic Systems
Analysis Plus
Argento Audio
Artisan Silver Cables
Audience
Chord Company
Ecosse
Furutech
Nordost Corporation
MIT Industries
Quantum QRT
Revelation Audio Labs

StereoLab
Synergistic Research
Townshend Audio
van den Hul
Vovox
Wyrewizard

Power Conditioning
Audience adeptResponse
Isotek

Kemp Elektroniks
Quantum QRT
QBase
CableSpike
Cable Tower
Telos

Enhancement CDs

Room Treatment
Acoustic Art
Room Tuning Resonators

Ayra Speakers
Bel Canto
STAX headphones
Townshend Audio




XLR cables
Sub woofer cables

Chord ipod cables
iPod cables
DIN cables
Mains & Power cables
Jumpers
Firewire

Cables for dCS systems
Chord cables for Naim


HDMI
Digital cables
Optical cables
S video
Component cables


Moving Coil Cartridges
Lyra
- Ortofon - Sumiko


Subscribe today to

 

 

 

 


Why cables?

When I first got the Hi-fi bug I was 16 and was promised a small fortune at the time as an insurance policy was about to mature. I needed a stereo system. We never had so much as a Dansette record player in the house until I was 14, then my Dad got his Ferguson with Garrard turntable. With the promise of £120 I bought Hi-fi News. The first thing that caught my eye was an advert for the National Panasonic Direct Drive turntable at £150. It later evolved to the Technics SL110 which I eventually got 35 years later and still have it today with an SME arm. Not everyones cup of tea but it does it for me. So I studied and studied the print off the Hi-fi News and even bought the next months issue and drew up a list of kit I wanted but it was always more than my budget, then nothing changes for the Audiophile. Come my 17th the insurance man gives me a cheque for £180, no-one had mentioned bonuses, so I settled for a Dual turntable and an Armstrong 521 amp and a set of David Clark headphones, and bought speaker 6 months later. Oh yes the cables were lamp wire and old bootlaces with moulded RCAs.

Woolworths, God rest their soul, were my past cable suppliers for years. I first took cables seriously about 10 years ago when I picked up some Watt3/Puppy2s from the Hifi Trading Station in Peterborough and Sacha Meakin threw in some CS112 cable which set against my twin and earth opened the door. The Wilsons also had a lot to do with it but they let me see how much I held the system back using 2.5mm twin and earth. From there my career with cables was founded.

My customers ask my current system and what cables I use.

I used to be a Krell man, flirted with Mark Levinson but now I am definately a Mcintosh man, a valve Mcintosh man having just got a pair of MC2301 power amps. I still use my SL110 with an SME V arm but I prefer the convenience of the dCS Scarlatti transport and DAC digital system and now the upsampler. I have been experimenting with AESEBU cables and the ODIN in 16/44.1 mode is astounding. The Audience AESEBU is probably the best value for money on this system though. However I have hear that Chris Sommovigo has plans for his new StereoLab AESEBU cable and if its anything like his past efforts ODIN will have to look out. Clocking cables are Sterovox XV2 and now the Stereolab XV-Ultra.

Do I feel your eyebrows raising? Clinical digital feeding warm cuddly Macs. Well it really works.

Speakers are Ayra C3.0. I had to make that life/system changing decision. After battling with my Eidolon Avalons for the best part of two years I nearly got them right. They were stubbon whatsits to run in but when all seemed perfect Lars Kristenson suggested I could handle sell the Ayra range from Raidho. It was a heart wrenching decision but I was swayed by the fact that every Nordost demo I attended where the Ayras' were used, in Bristol and Munich after each 45 minute demo someone from the floor asked who made these speakers. I really rated them myself so the Avalons had to go and Grahame in Brighton is discovering his CD collection again. The C3.0 are just a different class. They are just brilliant. At the 2010 Bristol show the admiration for these speakers was considerable. House friendly and beautifully designed it was a decision I never regret.

Power supply is important so I use Audience adeptResponse conditioners and Nordost Quantums with Valhalla power cables. I have recently ran a dedicated supply from the consumer unit with just a 6 amp breaker. This way my 13a tuning fuses are protected a little better.

I have the fortune to try out most of the cables I sell and really do suggest you spend as much as you can afford but in the right proportions, so to pick individual favourites may be misleading from the brands that I sell. However, the new Nordost ODINs are out of this world, not cheap, but astonishing. How do they do it, I don't know but they do. Now I have to save up.

Favourite Music, what do I listen to?

When someone comes around for a demo I dread I might frighten them off as my taste is so varied and I do not like to offend. So if I list a few names it will give you a good idea. Zappa, Brian Wilson, Joe Walsh, Joe Satriani, Steely Dan, Grandaddy, Cream, Jan & Dean, Neil Young, Jimmy Barnes, Cold Chisel, The Who, Adrian Belew, Kevin Ayres, Grace Slick, Midlake, Gary Fletcher of the Blues Band to name a few but these tend to be played more than most.. Classical: Rossini, Verase, Bethoven, Misorgsky, Pachebel, Puccini, Albinoni, Rossini, Stravinsky and Zappa. Country: Don Walker.

A mention more of Jimmy Barnes who is now the Australian with the highest number of No. 1 Albums in Oz with 11 in all. Well done Jimmy, well deserved.

Gary Fletcher is an old aquaintence. I first met him in his Panama Scandal days. It was obvious he was going to succeed as he is an amazing Bass player as anyone who follows the Blues Band will have seen him in the band. He is now releasing CDs of his own music and it is worth a listen. You can pick them up from his solo/band and Blue Band gigs.

Many thanks to Wikipedia for the biographies

 
Jimmy Barnes


Gary Fletcher in the Blues Band

 
Joe Satriani.
Sounds like someone was heavily influenced by this melody! Now I wonder who they were. Joe got his compo settlement out of court. The Play wanted it kept Cold

 

 

website hit counter
visit the website design guide


The contents of this site are the property and copyright of D G A Jackson

Contact | Advertise with us | LINKS